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	<title>Artconduit is Brian Alves: artist, designer, thinker, professor &#187; design</title>
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	<link>http://blog.artconduit.net</link>
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		<title>Alien Technology</title>
		<link>http://blog.artconduit.net/2010/04/alien-technology/</link>
		<comments>http://blog.artconduit.net/2010/04/alien-technology/#comments</comments>
		<pubDate>Fri, 02 Apr 2010 16:08:29 +0000</pubDate>
		<dc:creator>Conduit</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://blog.artconduit.net/?p=20</guid>
		<description><![CDATA[
Ridley Scott&#8217;s 1979 film Alien stands out for many reasons. Aside from its amazing moody minimalism, I continue to be fascinated by its portrayal of flight navigation technology. Last week, I watched yet again. I began to wonder how a film now more than 30 years old still maintains a uniformly  modern feeling.

Though the [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_22" class="wp-caption alignright" style="width: 310px"><a href="http://blog.artconduit.net/wp-content/uploads/2010/04/alien-flight-navigator1.jpg"><img class="size-medium wp-image-22" title="Alien Navigation System" src="http://blog.artconduit.net/wp-content/uploads/2010/04/alien-flight-navigator1-300x230.jpg" alt="View this image in its original post at Chilton Computing (http://bit.ly/16XBGo)" width="300" height="230" /></a><p class="wp-caption-text">The navigation system from 1979's <strong><em>Alien</em></strong> looks distinctly timeless despite its anachronistic technology.</p></div>
<p>
Ridley Scott&#8217;s 1979 film <strong><em>Alien</em></strong> stands out for many reasons. Aside from its amazing moody minimalism, I continue to be fascinated by its portrayal of flight navigation technology. Last week, I watched yet again. I began to wonder how a film now more than 30 years old still maintains a uniformly  modern feeling.</p>
<p>
Though the technology appears &#8220;dated&#8221; in many ways, it still fits seamlessly into the overall visual environment of the film. The carefully crafted connection between set &amp; technology convinces the modern viewer of its plausibility. Contemporary filmmakers seem all too satisfied making use of CG technology to structure their <em>whole</em> story.  Instead, <strong><em>Alien</em></strong> constructs a world in which the technology simply fits. It thereby becomes part of the larger environment rather than an omniscient plot-controlling device.  The simplicity of <strong><em>Alien&#8217;s</em></strong> vector graphic flight navigation sytem &#8211; though now anachronistic technology &#8211; makes the film striking timeless.</p>
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		<title>Better Hatters</title>
		<link>http://blog.artconduit.net/2010/03/better-hatters/</link>
		<comments>http://blog.artconduit.net/2010/03/better-hatters/#comments</comments>
		<pubDate>Sun, 28 Mar 2010 02:19:57 +0000</pubDate>
		<dc:creator>Conduit</dc:creator>
				<category><![CDATA[design]]></category>

		<guid isPermaLink="false">http://blog.artconduit.net/?p=16</guid>
		<description><![CDATA[Having just returned from director Tim Burton&#8217;s hyped-up &#8220;Alice In Wonderland&#8221; flick, I needed to reflect for a moment. I am an avid ABC &#8220;video-on-demand&#8221; viewer &#38;  in the last few weeks I have been pummeled with the endless Alice trailers. Though still nursing a grudge against Burton for his shamefully overdone redux of [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_18" class="wp-caption alignright" style="width: 310px"><br />
<a href="http://blog.artconduit.net/wp-content/uploads/2010/03/fay-depp.jpg"><img class="size-medium wp-image-18 " title="Eerie similarities between 80's pop-televangelist Tammy Faye Bakker &amp; Tim Burton's Mad Hatter (played by Johnny Depp.)." src="http://blog.artconduit.net/wp-content/uploads/2010/03/fay-depp-300x162.jpg" alt="" width="300" height="162" /></a><br />
<p class="wp-caption-text">Eerie similarities between 80&#39;s pop-televangelist Tammy Faye Bakker and Johnny Depp&#39;s Mad Hatter.</p></div>
<p>Having just returned from director Tim Burton&#8217;s hyped-up &#8220;Alice In Wonderland&#8221; flick, I needed to reflect for a moment. I am an avid ABC &#8220;video-on-demand&#8221; viewer &amp;  in the last few weeks I have been pummeled with the endless Alice trailers. Though still nursing a grudge against Burton for his shamefully overdone redux of Willy Wonka, I still felt coerced to give Alice a try.</p>
<p>Unfortunately, the grudge still stands. The visage of Burton&#8217;s Hatter &#8211; not dissimilar from 80&#8217;s pop- televangelist Tammy Fay Bakker &#8211; provokes a certain visual discomfort. Burton&#8217;s Hatter pales &#8211; or rather blinds &#8211; when compared to <a title="Other Mad Hatters on Google" href="http://bit.ly/aZb9ZQ" target="_blank">so many other</a> more thoughtful Hatter renditions. Many of these successfully portray the &#8220;nuance&#8221; of the Hatter character by revealing his two halves: both wild card madman <strong>&amp;</strong> self-assured suave sophisticate.</p>
<div id="attachment_17" class="wp-caption alignnone" style="width: 310px"><a href="http://www.flickr.com/photos/missnita/454462807/"><img class="size-medium wp-image-17 " title="A better Hatter can be found in J Otto Seibold's sophisticated pop-up &quot;Alice in Wonderland,&quot; ©2003. Photo by Ani Bee on Flickr." src="http://blog.artconduit.net/wp-content/uploads/2010/03/Ani-Bee-Seibold-Hatter-300x200.jpg" alt="" width="300" height="200" /></a><p class="wp-caption-text">A better Hatter can be found in J Otto Seibold&#39;s sophisticated pop-up &quot;Alice in Wonderland,&quot; ©2003. Photo by Ani Bee on Flickr.</p></div>
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		<title>Textbook Inspiration</title>
		<link>http://blog.artconduit.net/2010/03/textbook-inspiration/</link>
		<comments>http://blog.artconduit.net/2010/03/textbook-inspiration/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 17:27:19 +0000</pubDate>
		<dc:creator>Conduit</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[design]]></category>

		<guid isPermaLink="false">http://blog.artconduit.net/?p=12</guid>
		<description><![CDATA[When I lose creative  inspiration, I grab one of the &#8220;outdated&#8221; textbooks I have collected over the years. Found on a dusty &#8220;antique&#8221; store shelve, in a small back room of Good Will or Salvation Army, on the sidewalk in my neighbor&#8217;s trash. More than a few wonderful texts have been found at unannounced library book sales [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_15" class="wp-caption alignright" style="width: 226px"><a href="http://blog.artconduit.net/wp-content/uploads/2010/03/textbook-inspiration.png"><img class="size-medium wp-image-15" title="Page 2 of &quot;Science Stories, Book One&quot;, © 1933" src="http://blog.artconduit.net/wp-content/uploads/2010/03/textbook-inspiration-216x300.png" alt="" width="216" height="300" /></a><p class="wp-caption-text">Historical age, physical wear &amp; anachronistic design style make this book particularly intriguing as design inspiration.</p></div>
<p>When I lose creative  inspiration, I grab one of the &#8220;outdated&#8221; textbooks I have collected over the years. Found on a dusty &#8220;antique&#8221; store shelve, in a small back room of Good Will or Salvation Army, on the sidewalk in my neighbor&#8217;s trash. More than a few wonderful texts have been found at unannounced library book sales and, most ironically, in dumpsters behind used bookstores &#8211; apparently not even good enough to sell for 50¢ in the clearance bin.</p>
<p>Not just any old book satisfies. Middle school or high school textbooks published before 1970 intrigue the most.</p>
<p>Depending upon the subject of the text and the date of its publication, informational anachronism abounds. The way &#8220;facts&#8221; are portrayed reveal a greater concern for social norms of its era than about historical or scientific accuracy. As an artist, I find right-brained inspiration in the jarring discontinuity of facts when compared to contemporary expectations.</p>
<p>The limitations of older publication technology is refreshing. The endless possibilities of Photoshop and the vast amount of typefaces available to today&#8217;s designer can sometimes serve to overwhelm rather than inspire. Two- or three-color illustrations and straight forward typography focus wonderfully on solving the problem of communicating knowledge (even as we contemporaries reflect and identify that knowledge as false.)</p>
<p>Beyond the design style of the period, these textbooks offer inspiration that can only come with age. Yellowed, torn (&amp; perhaps repaired) pages. Hand drawn signatures, random doodles &amp; notes of complaint about the text are often found scattered throughout the pages. The <strong>use</strong> of these books in the hands of its learners is &#8211; at the very least &#8211; a passive act of design.</p>
<p>Keeping a collection of these textbook discards has helped me evolve as a designer. I turn to them again and again. And always find some new trigger for design inspiration.</p>
<p>Where do you turn when you need design inspiration?</p>
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